Bibliography
Bacon, F. ‘Painting’ (1946) [painting] MoMA
Bacon, F. (1983) Oedipus and the Sphinx after Ingres [oil on canvas] Museu Coleção Berardo (Viewed: 9 November 2022)
Bazterrica, A. (2020) Tender is the Flesh. Translated from the Spanish by S. Moses. London: Pushkin Press
Berardo Collection from the First Modernism to the New Avant-gardes of the 20th Century: Fontana, Manzoni, and Klein (2020-2022) [Permanent Exhibition] Lisbon: Museu Coleção Berardo. Installed 15 July 2020 to present day. (Viewed: 9 November 2022)
Black, A. Dàn Fianais, (2021) [Community film] Scotland: ATLAS Arts and Skye Climate Action
Black, A. Eternity Knocker, (2019) [Community film] Scotland: CCA Glasgow
Brucyckere, B.D. (2012) We are all Flesh [Installation] Available at: https://artsandculture.google.com/asset/we-are-all-flash-de-bruyckere-berlinde/cwH1FYKh5H55WQ?ms=%7B%22x%22%3A0.5%2C%22y%22%3A0.5%2C%22z%22%3A9%2C%22size%22%3A%7B%22width%22%3A2.551282051282051%2C%22height%22%3A1.25%7D%7D (Accessed: November 02, 2022)
Cadima, A. (2022) Andrew Cadima. Available at: https://andrewcadima.com/ (Accessed: 4 December 2022).
Emmerson, A.J.B. and McGettrick, A. (2006) ‘The importance of colour’, Archives of disease in childhood. Fetal and neonatal edition, 91(2), pp. F154. Available at: https://doi.org/10.1136/adc.2005.078063.
Faber, M. (2014) Under the Skin. Edinburgh: Canongate.
Fowles, J. (1976) The Collector. St Albans: Triad Panther.
Galloway, J. (1991) The Trick is to Keep on Breathing. London: Minerva
Geemcgwee (2021) Episode 1 | A morning in my life as a stay at home girlfriend. August 2021. Available at: https://www.tiktok.com/@geemcgwee/video/7134109868834917678?_t=8WyQ6cQyEQ2&_r=1 (Accessed: October 31, 2022)
Gilbert, N. And Sandeman, M. (2022) [exhibition] A Shared Passion [exhibition] Newport-on-Tay: Tatha Galleries. October 01, 2022 - November 12, 2022
Gilman, C. P. (2015) Herland, and The Yellow Wallpaper. London: Vintage Books
Guerrilla Girls (1989) Do Women Have To Be Naked To Get Into the Met. Museum? [Screenprint on Paper]. Available at: https://www.tate.org.uk/art/artworks/guerrilla-girls-do-women-have-to-be-naked-to-get-into-the-met-museum-p78793 (Accessed: 1 December 2022)
Hirst, D. (1993) Mother and Child (Divided) [sculpture] Available at: https://www.sartle.com/artwork/mother-and-child-divided-damien-hirst (Accessed: November 02, 2022)
Kafka, F. (2021) The Metamorphosis. Available at: https://open.spotify.com/episode/5qMuSZoQ2SMXIcRG4km5Wo?si=bLUm7gEoQsuOL6El8IK66g (Accessed: November 01, 2022).
Karmakar, S., Mathur, S. and Sachdev, V. (2019) ‘A game of colours, changing emotions in children: a pilot study’, European archives of paediatric dentistry, 20(4), pp. 377–381. Available at: https://doi.org/10.1007/s40368-018-0403-3
Kister, A. (2022) The Mandela Catalogue. 9 August 2021. Available at: https://youtube.com/@MandelaCatalogue (Accessed: 31 October 2022)
Kojima Productions (2014) Silent Hill: PT [Video Game] Konami
Lanteri, E. and Hale, N. C. (Ed.), Modelling and Sculpture: A guide for Artists and Students. (1965) Canada: Dover Publications, Inc. Vol. 1.
Lolita (1998) Directed by A. Lynne [Feature film]. United States: The Samuel Goldwyn Company
Manifesto! (2017) BBC Radio 4 11 August. Available at: https://www.bbc.co.uk/sounds/play/b090fwds (Accessed 28 November 2022)
McLeod, K. ‘Becoming’ (2003) [plaster sculpture]
McLeod, K. (2017) Not Listening [Sculpture] Available at: https://sculptors.org.uk/artists/kate-mcleod#pid=1 (Accessed: 01 December 2022)
Morrison, T. (2007) The Bluest Eye. 1st International edition. New York: Vintage International.
Nabokov, V. (1997) Lolita. Harmondsworth: Penguin
Nave, R. L., ‘Inside the Abortion Clinic Battle’, Jackson Free Press (2012) Available at : https://m.jacksonfreepress.com/news/2012/aug/01/inside-abortion-clinic-battle/ (Accessed on: 31/10/2022)
Peterson, S. (1999) The craft and art of clay. 3rd ed. London: Laurence King
Poole, K. (2021) Sculpting Hair. Available at: https://www.muddycolors.com/2021/10/sculpting-hair/ (Accessed: 04 December 2022).
Rivers, L. (1964) French Vocabulary, Lesson III [Oil on Canvas] Museu Coleção Berardo (Viewed: 9 November 2022)
Sarmento, J. (2006) A House to Hide (with trapeze) [Fibreglass, Resin, Aluminium, Wire, Glass, Milk] Museu Coleção Berardo (Viewed: 9 November 2022)
Sarmento, J. (2022) Julião Sarmento: Abstracto, Branco, Tóxico e Volátil [exhibition] Lisbon: Museu Coleção Berardo. 12 May 2022 - 31 December 2022
Saville, J. (2004-2005) Torso 2 [Oil on Canvas] Available at: http://www.artnet.com/artists/jenny-saville/torso-2-CsDSmtQMPLUWonIkOsvFfw2#:~:text=%2C%202004%E2%80%932005%20Medium%3A%20oil,(141.7%20x%20115.7%20in.) (Accessed: November 02, 2022)
Schietti, V. (2021) Happy Swiss Cows. Available at: https://theveganutopia.com/happy-swiss-cows/ (Accessed: November 01, 2022)
Shrigley, D. (2020) A Jar of Piss [Postcard] Denmark: Narayana Press
Shrig Shop (no date) About Shrig Shop, Available at: https://shrigshop.com/pages/david-shrigley-about-shrig-shop (Accessed: 29/10/22)
Tate (2020) How to Draw Like Paula Rego. 12 May 2020. Available at: https://youtu.be/LAZimVk7lGY (Accessed: 28 November 2022)
Tàpies, A. (1962) Tot Negre amb Clivelles / Negro con Greta [Mixed Media on Canvas] Museu Coleção Berardo (Viewed: 9 November 2022)
Ukeles, M. L. (1969) MANIFESTO FOR MAINTENANCE ART Available at: https://queensmuseum.org/wp-content/uploads/2016/04/Ukeles-Manifesto-for-Maintenance-Art-1969.pdf (accessed: 4 December 2022)
Wood, C. (2010) Marina Abramovic: Rhythm Zero: 1974. Available at: https://www.tate.org.uk/art/artworks/Abramovic-rhythm-0-t14875 (Accessed: November 01, 2022)